| RAMÉE |
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| Feuer und Bravour | ![]() |
Berlin's libraries contain innumerable historic manuscripts. Studying the 18th century archives, one can't fail to notice the profusion of highly virtuosic works for the viola da gamba. How did such an accumulation of compositions arise for an instrument that in other parts of Europe at that time was already long past its zenith of success? Both Frederick the Great (1712-1786) and his successor Frederick William II (1744-1797) were great musical benefactors. Almost every important late-18th -century viola da gamba virtuoso came to play at the Berlin court during their reign. The greatest virtuoso of the time didn't have to be summoned, because he was already engaged at the court: Ludwig Christian Hesse (1716-1772). The presence of this great virtuoso led to the creation of many works for viola da gamba at the Berlin court, generally technically very demanding and idiomatically written, which are directly linked to Hesse.
MUSICKE
& MIRTH was founded in 1997 by Jane Achtman and Irene Klein
in Basel. The ensemble's name is taken from the title of a piece by Tobias Hume
which inspired the two musicians to investigate the exciting repertoire for two
or more viols. Its main concern is the rediscovery of less known works, their
programs ranging from the first music prints from Nuremburg around 1440, through
the English lyra viol music of the 17th century, up
to the galant style of the Berlin School.Irene Klein and Jane Achtman, viola
da gamba
Rebeka Rusó, violoncello
Barbara Maria Willi, fortepiano and harpsichord